#you can't just leave us on that note

[kalcium-yippee]

Lilredbeany when I catch you lilredbeany

[qcomicsy]

Lately I've only been wishing to grab a comic about my favorite character and just have a genuinely good time reading it.

[thechosenanubis]

Nina and Eddie seeing the school for the first time parallels.

While the camera shots are taken from different angles, both Nina and Eddie are standing in the same spot

I'm pretty sure this is purely coincidental, but i'm going to indulge my delusional self and say this is actually the first osirian hint. :D

[kyliafanfiction]

I sometimes feel like characters who do truly monstrous things while also having been victims of some pretty insane shit themselves are sort of an exercise in empathy. Or at least, should be seen as such.

Like, in real life, if a person who has been horribly broken by their experiences and failed by society than proceeds to rape someone - it's hard to feel the justifiable sympathy/empathy for that person (without excusing their rape, never do that) because well, you can look at this actual human person they hurt, or worse, and it feels gross and disrespectful to the rape victim.

And this is understandable. (And applies to more than just rapists/rape victims of course, that's just the most visceral one and thus picked for that reason)

But a fictional rape victim is... fictional. You can't 'disrespect' their trauma, and while obviously rape/whatever else is real, and people may related to the rape victim and thus see your comments about the rapist also being a victim as somehow being about their experience...

Well, it's not.

Because the rapist here, didn't actually hurt a real person. Fictional characters are objects. They're objects that often grab us by the throat and refuse to leave our fucking heads, yes, but they're objects. They are tools used by writers to tell a story, and readers to tell a story.

And one of the things fictional characters are good for is allowing us to consider experiences we never had, and imagine ourselves in other circumstances and lives. (Also just fun and fascinating and interesting to watch their stories).

It's very easy to feel for the rape victim in fiction, and rightly so. That's Level 1 Empathy there. Granted, some people IRL fail that, but that's not really what we're talking about here.

Advanced Empathy, hard Empathy is feeling for the rapist. Not for the rape, of course, even if they feel guilt about it, but if someone really was failed on multiple levels and was broken and damaged and went through the sort of psychological wringer that would leave most of us here on tumblr catatonic - they do deserve the same Empathy any human (any person) who went through all that.

Even after they also do the bad thing, critically they still deserve Empathy. And that is fucking hard. I very often have a hard time feeling bad for truly awful people who also deserve empathy and sympathy, real and even fictional (despite all this, yeah, I'm not perfect on this) for what they (separately) went through.

It also becomes even harder when what they went through is utterly bound up with what they did. How what they went through and experiences is in part responsible for what they did - because they still made a choice. The circumstances may have left them not in their right mind, may have left them feeling without choice, may have driven them to things they normally might not think of or do, but they still chose to do that bad thing. And that's not okay. They still hurt someone.

And yet - one cannot remove the action from the circumstances. So you can still feel empathy, and elucidate all the factors and circumstances as to what led up to their choices and why, and it doesn't change that they did the horrible thing. The rape, or the murders, or whatever.

But circling back - with a fictional character... they didn't hurt a real person. There's no one who is real that suffered. The things the character did IRL are bad because they hurt real people.

So you're not being disrespectful to the victim by feeling that empathy, or sympathy. By exploring the things that they were a victim for. Even by wanting to focus on those things - fictional characters should be compelling in all their aspects, if they're written well.

And yet, of course, if you do that empathy and do talk about what the bad person went through and all that context, people come at you. They call you evil, just as bad as the (again, fictional) character, or they say that you're treading dangerously close to the arguments people use to defend the real people who do these things in real life. Or you're disrespecting all the victims of these crimes IRL. Especially of course, if the person coming at you has a reason this comes close to home.

But again - fictional.

In an ideal world, we'd all feel sympathy and empathy when it's called for, regardless of what the person did. Even the worst most monstrous people deserve human treatment in prison. And if you don't have empathy, that's hard. Even if you do have empathy, that's hard.

So if you look at a fictional character (who doesn't hurt a real person by virtue of being fictional) that does horrible, vile things, but went through so much, and you still can't empathize or sympathize with them... I mean, it doesn't make you a bad person, not even close, this is still fiction, and there's people I should empathize with in fiction that I don't, but...

It's still a failure of your ability to be empathetic. And we're all humans. We're all failing at that, among other things, all the time. But... it's good to be aware of that. at least?

At the very least, bear that in mind when other people are talking about that context, and that victimization. And please, for the love of god, don't fucking pretend that the victimization didn't happen, that this person who did do terrible things (in fiction) suddenly didn't also (in fiction) experience awful shit, as if doing a bad thing erases all the bad things done to you.

Again - it doesn't necessarily make you a bad person, but like... the horrible state of prisons in our society is a real, actual problem. The way we as a society dehumanize people who do bad things is a real actual problem for a lot of reasons (not least because it creates an incentive for authority that wants to dehumanize a person or a group to expand the definition of 'did bad things' to make their dehumanization now acceptable, among other things).

So yeah. Fictional character who suffers but than also makes others suffer - that's a useful exercise in Empathy. And doing that doesn't make you or anyone else a bad person, or actually defending the sorts of crimes, IRL or Fictional, that this character did. Contextualizing is not whitewashing, empathy is not erasing, and humanizing is not disrespecting the victim(s).

So yeah, they fictional character did bad things. But there's more to them than that. And you can say but and talk about what comes after but without disrespecting the fictional victim. Because the fictional victim... is just as fictional. Just as not real.

Is it possible for this to end up being taken too far? Yes. But that's a reason to be mindful of yourself when it comes to real people, not to never do it. And when it comes to fictional people - again, fictional. Nobody was actually, really hurt.

(I really do want to make clear, before people read the tags, that this applies to all crimes these sorts of characters do, rape was just picked as the one to use as the example.)

[laugtherhyena]

Continuing the rant-iness of last post's notes onto this one i think (I appreciate if they're read, i think I'm too self-conscious to have them in the post itself)

[valiant-portabella-pirkko]

alright. know what? with Secrets of the Obscure right around the corner and plenty of new Mists-related sky island settings coming with it, I'll just bite the bullet and interest-check a little something I've been turning in my head for a long, long while.

would YOU be interested in a Mists-based GW2 roleplay guild that uses a lore compliant multiverse system to allow canon, canon-adjacent, lore-breaking, and otherwise 'contradictory' muses to coexist in the same setting?

simply put: every writer's cast would be set in their own self-contained universe. as such, everyone could bring whatever muses they want with their own personal headcanons, and no one could dictate what is or isn't canon for anyone else. so long as your muses are GW2-based, you're good to go! bring your Commanders, bring your canon-divergent OCs, bring your canon muses-- and yes, even the ones that are 'supposed' to be dead. who can say what might have happened in a strange world far across the Mists, after all?

neutral hubs and in-character safety guardrails would be in place to keep all muses on a relatively even playing field regardless of their power, history, and prestige, too. play hardball if you like, but it might not end quite the way you'd hope. the main rule would be to maintain good OOC etiquette at all times: no godmodding, no metagaming, no theft, don't blend IC and OOC, and so-on.

if that sounds like something you might have interest in, please interact with this post! and if you've got questions or concerns, I'd love to hear them; feel free to send an ask or a DM, or just reply to this post!

[crystalkitty1220]

Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN

[triangle-strategy-notes]

Quahaug Concept Art

Quahaug's concept/reference art! Translation notes and image id under the cut.

Translation notes:

"OP sort of powerset" was literally translated as something like "cheat-like." I feel like OP is the more common English term for that sort of thing, so that's what I used, but some of the meaning was probably lost there.

"Older-tween-ish" was specifically a reference to a particular middle school year for children who are about 12-13 years old. Since grades and names of grades vary a lot from country to country, I just went with "older tween."

ID:

[Image id: Several images displaying different parts of 2 pages of the Triangle Strategy artbook, with both the original Japanese as well as versions with English translations. There are several disclaimers noting that the translator doesn't speak Japanese, and that there are likely many mistakes.

On one page, there is a large colored version of Quahaug's canon portrait, along with a smaller, uncolored version. There is an illustrator's note at the bottom that translates to read, "'Manipulating time' is an OP sort of powerset, so though he looks like a child, I aimed to create a look for him that conveyed a sense of unknowable power. (Tatsuaki Urushibara)".

On the second page, there are many drawings of Quahaug, including a closer bust-up portrait in which he's compared to Lyla, with an arrow and label reading, "Mother." There's also several notes that explain the construction of his costume. The costume is labeled as a Greek "phelonion" (a priest's outfit with no real sleeves, just draping fabric). There is a small drawing of this version, with an arrow leading to another drawing that does have sleeves, with the note, "If you can't display this in pixels, use this one." There are several notes that explain how this draping cloth should be considered his everyday clothes, while the ceremonial decoration that goes around his neck is placed over it. There is a close up of the ceremonial dressing's fastenings underneath the metal decoration. Some more notes highlight details on his staff, emphasizing the hourglass on top and the small wheel to the side that can be turned to flip the hourglass. A larger piece of text underneath one fullbody drawing reads, "Character Who Manipulates Time."

On the second half of the second page, there are drawings of some beta designs for Quahaug. He looks much more punk-ish. On one bust-up portrait, there are the captions, "The burden of the time demon caused some of his hair to go gray…." and "All-natural highlighted tips." On the same portrait, he is snapping his fingers, and there's a note that reads, "Manipulating time is as easy as snapping your fingers. You just have to want it or whatever." A speech bubble near his head reads, "I don't think of Anna as a mother." A caption pointing to some green markings on his arm reads, "Demonic time seal on body." In a fullbody drawing of his beta design (which is made up mostly of chains that barely cover him as well as a long roughed-up cloak, there is the note, "Almost naked cloak."

At the bottom of the second page, there is another note that reads, "Initially when we hadn't quite figured out the setting, we had an idea for a more older-tween-ish character as displayed here, but after discussing it with the producers and Mr. Ikushima, we went with his current form. As a boy who manipulates time, I placed an hourglass at the tip of his staff, and his face resembles that of his mother, Lyla. (Tatsuaki Irushibara)". /end id]

[wolpatinga]

[thethingything]

finally processing that we're probably gonna have to have these teeth removed with either sedation or general anaesthetic and unfortunately I have a phobia of both of these to the point where just thinking about it gives us panic attacks and I genuinely don't know what to do because I absolutely want to avoid this at all costs but we also might not have any other option

[dbphantom]

maybe i should have gone into practical effects instead of computer science...

[eleilinnrallin]

Realized that the main reason I hate the way a lot of conservative Christians talk about queer things is because they have made absolutely no effort to actually understand it.

And sure maybe they've read a book or two, but never with the intent to see "oh, what is this, actually?" or "what can I learn about these people?" It's always with the intent of "how can I learn why I am right?" "how can I more effectively argue against this ideology?" "how can I feel like the good guy for saying these things they say are hateful?"

There's several issues with this.

Going in with the intention of learning how to defend your point isn't going to lead to an actual understanding of the people you are claiming to try and learn about. It's only going to confirm what you believe.

Treating people as "ideologies" is flat out wrong. (This is why I hate the word "transgenderism", for one.) It is dehumanizing, even.

Never go to second-hand sources to learn about a group of people. Because those people will be wrong. I primarily learned this from being Mormon--people will say outright wrong and hateful things about Mormonism! And so if people are aiming to learn about Mormons they're going to end up with misinformation rather than real understanding. And this is true about queer people.

If you really want to understand queer people, talk to queer people. With a genuine interest in understanding, not in rejecting them and finding reasons they are "sinful" or whatever.

[mako-island-moon-pool]

You want to know how bad my memory is?

I was writing last night and I just straight up forgot that Sanji exists. I have been watching this show since 2012, he was my fave Strawhat outside of Luffy pre-TS, and I FORGOT HE EXISTED.

I was like 'hm yes well the ones who would understand are Nami and Robin... W- wasn't there one more I was thinking of a moment ago? Wasn't there another one who'd Get It?????'

'it's not Chopper. Definitely not Usopp. And it's not Zoro. That's all the remaining Strawhats at this point in the story. So... Why am I convinced I'm forgetting someone? Let's go through the arcs in my head agai- OH MY GOD, I FORGOT SANJI'

[byanyan]

ㅤon byan's past experiences with family & the foster care systemㅤ—ㅤas byan's modern verse has effectively become their main verse, at least for the time being, it seems about time to expand a bit on their backstory. in this case, on one of the main sources of their trauma, distrust, & inability to let themself get close to people: their unfortunate history with family.

ㅤbyan doesn't know their birth mother's name (aside from her surname, of course, which they share) and, frankly, they don't care to know. all they've ever known about her is that she put them up for adoption the moment they were born. they've never met her, never spoken to her, and haven't seen her since they were born; why should they want to know anything about someone who never wanted them in the first place?

ㅤthey were actually adopted quite quickly as a baby by a korean couple who were unable to have children of their own, and they were raised by these two for their first few years. however, when the couple was unexpectedly able to have a child of their own, byan fell to the backburner until the couple ultimately decided they couldn't handle two children. thus, byan ended up in a group home for children and was put into the foster care system. ㅤㅤㅤㅤ»ㅤthis would be the first major influence (of many) in the way byan has come to view families. ㅤㅤㅤㅤ»ㅤbyan doesn't remember the names of these parents. having spent such significant developmental years with them, they only remember the two as "엄마 / mom" & "아빠 / dad" — a fact they've come to hate. it's painful, after all, to only be able to remember people who so easily abandoned you as mom & dad.

ㅤthe first family who fostered them after this, unfortunately, ended up just not being a good fit. byan was only with them for about six months.

ㅤanother couple with several other foster & adopted children took them in when they were about 4. never feeling like they got enough attention with so many siblings though, byan began to act out. eventually, they would become too much of a handful with all the other kids and would end up back in the system.

ㅤby the time they entered elementary school, byan only continued to act out. they were disruptive, caused all assortment of trouble in school and among other kids, which would have them in and out of many foster homes during this time. they were always deemed too difficult to be properly accepted into any family, and their behaviour would only continue to get worse because of it.

ㅤthe first time they ran away from a foster home, they were 8. it was their first experience in an abusive home; the father would regularly beat them for doing or wearing anything he deemed to be "for girls." byan would try everything from hiding what they were doing/wearing/etc. to fighting back. things only got worse with time and, eventually, they couldn't handle it any longer. for lack of any other option, they ran away from home. ㅤㅤㅤㅤ»ㅤduring this time, they lived on the street, finding themself shelter wherever they could and relying on theft, lies, begging, and the occasional trash rummaging in order to feed themself. after spending a few nights in a homeless shelter several weeks later, they were brought to the attention of a child welfare agency and put back into a group home and, of course, back into the foster care system.

ㅤafter this experience, they would run away from many more homes, though not always because of any abuse. the reasons would vary and, while they were sometimes serious enough to warrant running away, most of the time they weren't. ㅤㅤㅤㅤ»ㅤthis is about the point where it really started to sink in just how unimportant and unwanted they were to the world around them. from here, byan would more or less stop trying to fit in with families who fostered them, deciding it to be pointless, as it wouldn't last.

ㅤat 14 they were kicked out of a home for the first time. byan introduced their foster brother to the world drugs, which was not something the parents were about to tolerate. ㅤㅤㅤㅤ»ㅤthey ended up on the street for a while again here, though they did sneak back into the family's home to collect as many of their own belongings as they could carry (as well as a couple hundred bucks from the spot they knew the parents stashed away spare cash). ㅤㅤㅤㅤ»ㅤthis was not the last time byan would get into trouble with foster families over drugs, nor the last time they were removed from a home because of it. in some instances, things got violent and, in a few other cases, the families would even call the police on them.

ㅤby the time they're in their teen years, byan has a lengthy record racked up, from problems at school to problems caused with previous foster families, along with trouble with the law and less than positive psych evaluations. naturally, they've found fewer and fewer families willing to foster them over the years as the list of issues has grown and, when a family does take them in, it rarely lasts more than a couple months — often due to byan's own actions.

some other, less specific tidbits:

ㅤthere have been more than just one family who wouldn't acknowledge or accept their gender identity (and sexuality, for that matter). several of these homes were very forceful in their insistence that byan is a boy and should look and act like it. ㅤㅤㅤㅤ»ㅤthat said, they have also had plenty of homes that were very accepting and supportive of them and their identity.

ㅤthey have had a few foster parents who have tried to give them an english name. much as byan hates the name yeong-hwan, they still prefer it to any of the bs these parents tried to stick them with. ㅤㅤㅤㅤ»ㅤsimilarly to above though, they have also had families who have tried learning to speak korean and/or learning to cook korean meals in an effort to make them feel more at home.

ㅤbyan has had several physical altercations with foster families — most of the time with foster siblings, but they've gotten violent with a few of their foster parents as well. many of these they caused themself, but several instances have merely been them responding & simply defending themself.

[analyticallymindedaa]

"i don't want him to be anybody but himself." "you sure about that?" "yes." "'cause i heard he told you how he felt and you bailed."

[...]

"the only thing that makes him worse...is you." "i know. why do you think i left?"

today on: i'm literally never gonna be not angry about how jemma was treated throughout s2

[six-of-ravens]

we have a client right now who is so trapped in the sunk cost fallacy she's keeping a 3rd party tag that is THROWING A FATAL ERROR on her site purely because "i paid for it"